Tasmanian Times

The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. No price is too high for the privilege of owning yourself. ~ Friedrich Nietzsche

The individual has always had to struggle to keep from being overwhelmed by the tribe. If you try it, you will be lonely often, and sometimes frightened. No price is too high for the privilege of owning yourself. ~ Friedrich Nietzsche

Arts

Bett Gallery: Prudence Flint …

Image: Large Tartan Blanket 2016, oil on linen, 109 x 142 cm
FINAL WEEK TO VIEW
PRUDENCE FLINT
THE WAKE
Last day to view this exhibition is Saturday 8 December
PREVIEW EXHIBITION HERE
Prudence Flint paints figures in psychologically charged environments enveloped by fields of colour and light. The viewer is invited into an intimate world where the figure’s pose, each articulated detail, and the flat expanses of colour create an interplay of tensions.

Prudence Flint is a Melbourne based artist. She has held solo exhibitions in Sydney, Melbourne, Canberra and Hobart and has exhibited in major state and regional galleries. She is a sixth time finalist in the Archibald Prize. She won the Len Fox Painting Award (2016), the Portia Geach Memorial Award (2010), and the Doug Moran National Portrait Prize (2004). Her work is held in the collections of the City of Port Phillip, Artbank, BHP Billiton, City of Gold Coast, University of Wollongong, Castlemaine Art Museum and in numerous private collections in Australia and New Zealand. Reproductions of Flint’s paintings have recently appeared in international publications including Oh Comely (UK), It’s Nice That; Printed Pages (UK). Flint is represented by Australian Galleries in Melbourne and Bett Gallery in Hobart.

“I love the strange inexplicable atmospheres that a painting can create. My mother died earlier this year, so much of this recent work… the lying down figures, the bed in the room is informed by this time. My mother had dementia in the last few years. She was born in 1921 so she lived through the depression and WW11. I would walk in to her room at the nursing home and find her chatting to several wounded soldiers under her bed. There was someone outside her window climbing the wall and someone called Pepé living in her wardrobe. We had to ask each of them to join us for coffee.

I draw and write every day. It is here that my ideas begin as small sketches often triggered by some memory or an actual place that becomes a condensed symbol of a mood at the time.

I enjoy it when I’m in the middle of a body of work and I’m almost unable to hold all the paintings in my head and I’ve got a name for the show and I’m not entirely sure what it means. I want my work to transform the everyday and become more like a dream. I’m happy when something makes no sense, is not in proportion, but just works, then I know something significant has happened.”

Author Credits: [show_post_categories parent="no" parentcategory="writers" show = "category" hyperlink="yes"]
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