Republic, Sat, April 1: The Blackeyed Susans

EVENT:

The Blackeyed Susans
Launch new album Close Your Eyes And See
Saturday 1 April
The Republic Bar
299 Elizabeth Street North Hobart, Tasmania 7000

Video: https://youtu.be/ue18sPqbOOs

Their first album of new material in over a decade, Close Your Eyes And See finds The Blackeyed Susans near the height of their powers, delivering one of their strongest collections of songs to date, masterfully arranged and performed by a band with over 25 years experience together.

Led by chief songwriter Phil Kakulas and producer Dan Luscombe, Close Your Eyes and See combines the honeyed vocals of singer Rob Snarski with long, reverby trails of pedal steel, tremolo guitar, violin and keyboards. The result is a meticulously crafted album of dreamlike torch songs, bruised ballads and atmospheric rockers that sounds both classic and contemporary.

By anyone’s reckoning, The Blackeyed Susans’ 2009 best of retrospective collection, Reveal Yourself, would have been a fitting conclusion to an illustrious career, but a sense of unfinished business and a clutch of new songs that called out for The Susans ‘treatment’ put paid to that. In 2015, recording for the new album kicked off at Birdland Studios, Melbourne, before relocating to The Drones’ TFS Studio, Bakehouse Nth, where the group worked intermittently on the record throughout 2016.

Patient Blackeyed Susans’ fans were finally rewarded when ‘Lover or the Loved’, the first single from the album was released in December 2016, along with three exclusive bonus tracks.

Lush, beautiful and mysterious, Close Your Eyes and See is a response to the wonderful and woeful world we live in – an appeal to keep your dreams alive, even when it feels as if you’re living in a nightmare. If the outside world poses difficult questions, the answers may just lie within.

But don’t take our word for it. Close your eyes and see.

Formed in Perth in 1989, The Blackeyed Susans have built a reputation for their moody romanticism and op-shop stylings. Declared national treasures by Rolling Stone magazine, they have toured the world, played with the likes of Johnny Cash and Leonard Cohen and released numerous albums of occasional beauty. A retrospective box set entitled ‘Reveal Yourself’ was released in 2009 charting the band’s illustrious history.

Yet none of this was by design – at least not at the beginning, when members of The Triffids, Chad’s Tree and Martha’s Vineyard formed a holiday band to play a handful of shows one particularly hot Western Australian summer. The group endured, long after that summer was gone, relocating to Sydney and then Melbourne, galvanising along the way around the voice of singer Rob Snarski and the songs of bassist Phil Kakulas, along with a swirling array of famous friends. Boasting members of The Cruel Sea, Dirty Three, The Jackson Code, Augie March, The Drones and Hungry Ghosts, the group’s credits read like a who’s who of Australian alternative music.

The line up solidified in the mid to late 90s as The Susans enjoyed success, in Australia and abroad, on the back of watershed albums All Souls Alive and Spin The Bottle. Classic songs such as A Curse On You, Smokin’ Johnny Cash and Blue Skies, Blue Sea affirmed the group as impressionistic storytellers with a bent ear for melody and atmospherics.

Much touring into the next decade ensued before the band returned to a more ‘project’ based approach in the mid 2000s. Along with Snarski and Kakulas, the current group features long time members Mark Dawson (drums), Kiernan Box (keyboards), J.P. Shilo (guitar/accordion) and Graham Lee (pedal steel).

In recent years The Blackeyed Susans have been proud to join forces with The Triffids in celebration of the work of Triffids’ singer/songwriter and Susans’ co-founder David McComb. The acclaimed shows have been staged in sold-out seasons across Australia and Europe.

What the critics have said about Close Your Eyes And See …

“Conjuring more drama in just over five minutes than some bands muster in an entire career, The Blackeyed Susans bring a Gothic sensibility and a theatrical flourish to the truth seeking mini-epic ‘I Asked My Mother.’.. the assured work of a confident and inspired band still at the top of their game.”
(Graham Blackley, Beat)

“a strong and eclectic batch of atmospheric noir… Rob Snarski’s dulcet croon could still melt the coldest of hearts and producer Dan Luscombe imparts a veneer of sophistication, while Phil Kakulas gifts a robust batch of songs”
(Steve Bell, The Music)

“nine perfectly-formed pieces of romantic pop… deliciously dark”
(Jeff Jenkins, STACK)
Hope you can consider this, let me know if I can provide you with any further info!
Tilly Morris