Black Inc. and Nero
23.06.16 12:56 pm
23.06.16 5:54 am
Father, what is road kill?
Road kill is a gun, my son.
Mommy, what is 1080?
1080 is a gun, my son.
Grandfather, what is neglect?
Neglect is a gun, my precious grandson.
Grandmother, what is ignorance?
Ignorance is a gun, oh little one.
Mother, what is death?
Death is a gun, my son.
Father what is pain?
Pain is a gun, my little one.
Father, what is greed?
Greed is a gun, my son.
Mommy, what is a devil facial tumor?
A devil facial tumor is a gun, my son.
Grandfather, what is hate?
Hate is a gun, my little one.
Mother, what is torture?
Torture is a gun, my son.
My teacher, what is extinction?
Extinction is a gun, little wise one.
Grandmother, what is a regeneration burn?
A regeneration burn is a gun, my precious.
Father, what is poison?
Poison is a gun, my son.
Mommy, what is Forestry Tasmania?
Forestry Tasmania is a gun, my son.
Father, what is Tasmania?
Tasmania is a gun, my sweet son.
21.06.16 7:16 am
Author Loretta Hill loves Tassie, especially the scenery, the food and the brewries!
I recently chatted to Loretta on one of her free Fridays, that being the day Loretta, a busy mum of four and farmer, gets some additional help from a nanny so she can close the door to her study and get down to some writing.
Loretta, in spite of all of her commitments, is a prolific author whose stories are most often played out in Australian small town settings. Loretta believes that people, in spite of most of us living in the city nowadays, are attracted to the nostalgia of Australians historically living remotely and how these communities help and support each other through tough situations.
Loretta’s latest novel is ‘The Grass is Greener’, the story of two friends Claudia and Bronwyn who both crave the others existence. Bronwyn is a lawyer that would rather work in Claudia’s family vineyard and Claudia who was forced to work in the vineyard due to tragedy, wants to reclaim her early love for the law. The girls decide to swap careers, realising eventually, that sometimes you can be more content in your own paddock!
As well as writing rural romance, Loretta is a renaissance woman that possesses some surprising qualifications for an author. It was her dad, a mechanical engineer who encouraged her to pursue a reliable occupation and so Loretta qualified in structural engineering and commerce at the University of Western Australia and went on to work for an engineering company but eventually chose fiction as a career, which had always been her love from childhood and the good news is that yes, her dad is her biggest fan.
‘The Grass is Greener’ is out now published by Random House Australia.
20.06.16 5:54 am
18.06.16 7:56 am
COULD YOU BE AUSTRALIA’S NEXT SLAM CHAMPION?
Yvonne and Joy poetry reading ...
SPEAK, SCREAM, HOWL OR WHISPER your poems in the Australian Poetry Slam 2016 – a literary performance program where the audience is the judge! APS Heats will be held in city and regional venues across Australia, including TASMANIA, where they will be coordinated and hosted by Tasmanian writer, poet, three-times National Slam Finalist and twice winner of the Launceston Poetry Cup - Yvonne Gluyas, and award winning writer and poet - Joy Elizabeth.
Come and compete, or join in the fun in the cheering, poetry-loving audience at the Tasmanian heats and final. $5 entry fee for participants and audience members. Up to 20 contestants a night can sign up, from 30 minutes prior to starting time, and judges are chosen randomly from the audience. Anyone can participate: all you need is your voice. No props allowed. Contestants are given a microphone, a live audience and two minutes to impress the judges with their own original work. If there is a placegetter tie, a second piece will be needed. Contestants must be Tasmanian residents, and can compete in any, or all, of the four State Heats!
Three placegetters from each of the four 2016 Tasmanian Slam Heat (Launceston, Deloraine, Hobart and Ulverstone) will be awarded prizes and compete at the Tasmanian Final in Launceston on AUGUST 3rd. The first and second final placegetters will then head to NSW, along with two wordsmiths from each state and territory, for the Australian Poetry Slam National Finals at the Sydney Opera House, 7pm – 9pm, on Sunday October 16th 2016, and have their return flights and hotel accommodation (on the 16th) provided.
Australian Poetry Slammers across the country, from small towns to major cities, have competed in the APS annually since 2004. Judged by randomly chosen members of the audience, one person will be named AUSTRALIAN POETRY SLAM CHAMPION 2016 and will perform their own work, all expenses paid, at Writers Festivals in China and Bali during 2017.
2016 TASMANIAN HEATS:-
LAUNCESTON @ THE WORKERS CLUB 66 Elizabeth Street, WEDNESDAY 6th JULY 7pm - 10pm
ULVERSTONE @ LIVE AT THE WHARF, Crescent Street FRIDAY 8th JULY 5.30pm – 7.30pm (Following opening act - Singer/songwriter James Bennett.)
DELORAINE @ EMPIRE HOTEL, 19 Emu Bay Rd, WEDNESDAY 20th JULY 7.30pm – 9.30pm (Dinner available from 6pm. Bookings required. Call hotel on 6362 1029, say ‘poetry’.)
HOBART @ WORLD’S END BREWPUB, 236 Sandy Bay Rd, TUESDAY 26th JULY 7pm – 10pm
(‘Ruthless and Hitch’ will open the event with world fiddle tunes and finely honed original songs.)
TASMANIAN APS FINAL:-
THE WORKERS CLUB 66 Elizabeth Street Launceston, WEDNESDAY 3rd AUGUST 7pm - 10pm
AUSTRALIAN POETRY SLAM NATIONAL FINAL:-
Sydney Opera House, SUNDAY 16th October 7pm – 9pm
Or visit the “Tasmanian Heats and Final, 2016 Australian Poetry Slam” Facebook Event page.
Tasmanian Writers' Centre
17.06.16 9:52 am
Daily Drone, The Observer
12.06.16 5:53 pm
Subs hard at work on the Daily Mail in the 1930s. Note the copy boy seated at the back.
The following verse was written by Robert Richardson to entertain the troops at the Observer Christmas bash:
It was an ancient sub-editor and he stoppeth many libels,
Fowler’s Modern English Usage and the ODWE were his bibles.
We met in the Bodoni Arms, it was his favourite venue,
He sat alone, a pint in hand, and made corrections to the menu.
“Pray tell me, master sub-editor, your secrets and your tricks,
“How many prima donnas you have saved from looking pricks.”
He raised his head and gazed at me with a piercing, bloodshot eye, “
“‘Twould be my pleasure, sir,” he said, “but I am rather dry. “
A double brandy will suffice; it helps soak up the ale,
“You get ‘em in, then I’ll begin to tell my subbing tale.”
I hastened to the bar and bought the drink that he desired,
Convinced that what he told me would be sober and inspired.
Returning to the table, I set the glass within his reach
Then sat, a humble acolyte, as he composed himself to speech.
“In the beginning was the word, but which word we’ll never learn
“Because a sub deleted it to avoid a widow turn.
“And in the Gospel of St John, one chapter seems too terse,
“Where the two-word sentence ‘Jesus wept’ appears as just one verse.
“A sub-editor did that, my boy, and I shall tell you why:
“He had to make a par somewhere ‘cos the text was one line shy.
“And so it goes, from age to age, in every realm and land,
“You’ll find the diligent sub-editor, a style book in his hand.
“We guard our Mother English tongue, keep her pure and unalloyed,
“Just see what dreadful things go wrong when our talents aren’t employed.
“We’d have asterisked out those filthy words Lady Chatterley learnt from Mellors
“And if Dickens had but had a sub, his books would be novellas.
“We know ‘can’ from ‘may’ and ‘may’ from ‘might’,
“And never say ‘less’ when ‘fewer’ is right,
“We punctuate punctiliously and are alert for innuendoes,
“We can all spell ‘desiccated’ and don’t rise to crescendos.
“Of grammar and of syntax our knowledge is formidable,
“Though frankly we don’t give a toss about an unstressed syllable.
“To denigrate the sub-editor is the action of a moron,
“A word that very nearly rhymes with that little twat Giles Coren.
“When it comes to writing headlines, polysyllables we eschew,
“We have a taste for shorter words, like ‘mull’ and ‘ire’ and ‘rue’. ”
“Your wisdom overwhelms me, no counsel could be finer,
“But can you explain to me, I beg, the role of the designer?”
“Don’t speak to me of that lot!” (He gathered spit - and spat),
“A paper needs designers like an oyster needs a hat.
“Oh they’ll draw you pretty pages, you can’t change them ‘cos it’s art,
“Then once you’ve made the copy fit, they rip the thing apart.
“The reason why they do that is a mystery to man,
“But I’ve a shrewd suspicion that it’s just to show they can.”
I feared I had offended him, my question had been crude,
But a treble double whisky put him in a better mood.
“And tell me of your colleagues, whose work is so essential,
“That I might dare approach them with demeanour reverential.”
“Right across Observer the subs are brilliant, off the scale,
“The Times can only dream of such - and fuck the Daily Mail.
“But even with such talents, sir, once the story’s in the queue
“And is eighty-six lines over, what magic can you do?”
The old sub smiled and shook his head as if he were amused
At meeting one so young and green and easily confused.
“Nothing is writ that can’t be cut, that is the Subbing Law,
“Give me the Ten Commandments and I’ll trim them back to four.
“Thou shalt not miss the deadline, or write in ‘Subs please check’,
“And if perchance you use a fact, don’t get it round your neck.
“But the first of all commandments you must follow to the letter:
“However good your copy is, a sub can make it better.”
“And yet,” I ventured cautiously, “can what they say be true?
“I’ve heard tell that the management wants to get rid of you.”
‘’‘Tis true,” the gloomy sub replied, now glugging down red wine,
“They got rid of the NGA, now we’re the next in line.
“But mark my words, young journalist, the cup they drink is bitter,
“Mistakes will sprout like dandelions and literals will litter.
“Comment it may still be free, but faith in facts will shatter,
“Whatever garbage fills the space, that’s all that’s going to matter.
“And there will come a day, I fear, when one sub shall remain,
“Facing those damned accountants and battling in vain.
“He’ll stand astride the subs’ desk like that Dutch boy at the dyke,
“Until, professional to the last, he falls upon his spike.
“And as those bastards stand and jeer, a golden age shall cease,
“But not before his dying words: ‘Has the lawyer seen this piece?’
“They’ll bury him with honours, even Murdoch will be there,
“FoC will read the Lesson, Rev Indent will say the prayer.
“Good Spot will start the banging out, as flags fly at half mast,
“A choir of solemn hacks will sing ‘Oh Sub, our help in ages past’.
“And in the years that follow that tragic last defeat
“You’ll find the Tomb of Unknown Sub in St Bride’s upon the Street.
“On either side shall angels weep, and proudly in between
“You will see a pencil, blue, crossed with an eyeshade, green,
“And on Carerra marble, carved in ninety-six point caps,
“You’ll read subs’ eternal question: ‘Who wrote this piece of crap?’”
12.06.16 7:11 am
Jaclyn Moriarty was in Tasmania this year for the Tamar Writer’s Festival and she is ‘annoyed’ she didn’t get to stay longer or has been able to visit ‘beautiful Tasmania’ more often, yet a previous trip to Tassie remains with Jaclyn.
Her first visit to Tasmania as an eight year old when her sister was a baby, involved an incident when Jaclyn’s sister hit her chin on the bunk bed, so what was going to be a school excursion turned into a visit to the hospital! Everything turned out okay and that fits in nicely with Jaclyn’s writing which doesn’t shy from tackling challenges but overall inspires us with confidence and optimism.
Jaclyn’s latest novel ‘A Tangle of Gold’ is the third instalment and completes the ‘Colours of Madeleine’ series trilogy, the previous two titles being ‘A Corner of White’ and ‘The Cracks in the Kingdom’.
In this novel plans are afoot to return the royals from our world to their own with the potential of such an enterprise closing the way between worlds. Madeleine and Elliott, for the sake of their own future must prevent this happening.
Jaclyn says she stays close to reality even in a fantasy novel such as this because ultimately people reading the book need to identify with the characters and scenarios and have stories that resonate with their own lives. The characters face the same obstacles we do in our lives, even if they are in an obscure, distant world. Jaclyn doesn’t classify her writing as representative of the fantasy genre but instead believes she ‘plays around with it a bit’.
When I ask Jaclyn about the origin of the names of her characters she tells me that no one has ever asked her that before! For the record the names are taken from the names of stars and planets.
With many young adult novels dystopian and dark, Jaclyn says she prefers to create a positive and happy ending for her readers. To see how Madeleine and Elliot’s story concludes read on.
‘A Tangle of Gold’ is out, now published by Pan Macmillan Australia
11.06.16 6:39 am
Photo by Loic Le Guilly from Hobart and Beyond: http://hobartandbeyond.com.au/ with permission.
The clouds have fallen
crashed into the Derwent
obliterating the far shore
a mere brush stroke of forest peering over the
pearlescent billowing purple.
What made the sky dancer
so heavy that it abandoned its origins
and now is smooching with the river?
Sky and sea merging like this,
making a point to this peeping poet…
Sea and cloud are subtle variations of
the same vague molecule
Of course we all know this but
when the sky falls into the sea
rolling across the river like a
soft whipped meringue,
one begins to wonder - what
keeps them separate in the first place?
Even now they make believe as
individual elements -
the current and the billowing
like silk and satin
or cotton balls and twill.
It is difficult to take
this morning skyscape seriously
when the sky has in fact escaped from
where one generally expects it to be.
And although land remains stolidly where
it always (mostly) is and water continues on
in its placid morning manner,
the entire elemental shebang seems
“The sea looks cloudy today”
“The sky has slipped its moorings”
“It will be raining upside down so please invert your umbrellas”
Perhaps to others watching
this would be a mist but it is not
I know a mist when I see one
and being London born in the 50’s
I can assure you that this is not a fog
It is a clear (or foggy) case of
“When the clouds begin to fall…”
10.06.16 6:05 am
Rural author Fleur McDonald visited Tasmania in 2010 for AGFEST but hopes to make a trip in the school holidays next year. With a life lived on the land, first as a youngster on her parent’s South Australian farm and now on her own Western Australian farm, Fleur is highly qualified to write authentically about the rural life.
Her heroines are almost always strong women having to overcome hurdles in their lives. The author’s popularity has seen one of Fleurs book,’ Emerald Springs’ now made available on audio.
I talked to Fleur about her latest novel ‘Indigo Storm’. It’s interesting to note that in Chinese painting a variation on the colour indigo symbolises ‘ harmony of the universe’ and so in this novel our protagonist Ashleigh is looking to establish harmony in her life after the ‘storm’ of domestic violence from her husband Dominic, ironically, a noted pillar of the community.
Fleur explains she likes to tell the true country story, not just pure romance and likes to explore social issues such as domestic abuse in Indigo Storm. As Fleur puts it ‘The kind that produces a bruise on the soul where it can’t be seen’. Fleur believes the upsurge in interest in rural fiction is due to those many Australians who don’t live rurally but have a fascination or are intrigued by the nostalgia of Australia’s past when most of the population lived remotely. TV programs like McLeod’s Daughters have also dramatized to a wide audience many of the issues that resonate with the rural life.
Although Fleur doesn’t usually entertain the possibility of writing sequels she tells me she has thought about that option with her novel ‘Silver Clouds’ where feedback suggested readers wanted more.
Indigo Storm is out now published by Allen and Unwin
Sharon Evans, Big Sky Publishing
09.06.16 1:40 pm
Award-Winning author’s new children’s book commemorates the Tasmanian Thylacine and draws attention to endangered animals struggle for survival.
Commemorating the 80th Anniversary of the Tasmanian Thylacine extinction, award winning author Aleesah Darlison’s new book Stripes in the Forest (Big Sky Publishing, HB, $24.99), is the story of an iconic species lost. Told from the perspective of the last wild, female thylacine, it provides readers with an insight into the rare beauty and uniqueness of these amazing animals, explains their fight for survival and provides important lessons for future generations.
Parents and their children will enjoy the rich, vivid and detailed illustrations of the magnificent thylacine and the Tasmanian forests and landscapes she roams as depicted by illustrator and artist, Shane McGrath in this powerful and evocative story. Stripes in the Forest raises important questions for young minds in this the 80th year anniversary of the death of the last (captive) thylacine.
Aleesah will be visiting Tasmanian schools and attending events | Monday 1 August - Saturday 13 August and Monday 12 September - Friday 16 September.
National Threatened Species Day is held on 7 September and has been held annually since 1996 to commemorate the death of the last known thylacine. It is a time to reflect on what happened in the past and how we can protect our threatened species in the future.
About the Author: Aleesah Darlison is a multi-published, award-winning Australian author. She has written over thirty picture books and novels for boys and girls of all ages. Her much-loved stories promote the concepts of sustainability, environmental awareness, courage, understanding, anti-bullying, love, self-belief, friendship and teamwork. Aleesah’s book Our Class Tiger was joint winner of the 2015 Environment Award Winner for Children’s Literature (Non-Fiction).
Black Inc, Nero
09.06.16 1:34 pm
08.06.16 11:26 am
We are delighted to host the launch, by Dr Rudy Kloser (Senior Research Scientist, CSIRO), of Lisa-Ann Gershwin’s gorgeous new book, Jellyfish: A Natural History.
Jellyfish are mysterious creatures, luminously beautiful with remarkably varied life cycles. These simple, ancient animals are found in every ocean at every depth, and have lived on Earth for at least the last 500 million years. Ominously, they are also increasing in number as they adapt well to marine environmental degradation. Jellyfish is a timely title that looks at their anatomy, life history, taxonomy and ecology, and includes species profiles featuring stunning marine photography that will have you scanning the depths with renewed interest.
Lisa-Ann Gershwin is director of the Australian Marine Stinger Advisory Services. She was awarded a Fulbright scholarship in 1998 for her studies on jellyfish blooms and evolution. She has discovered over 190 new jellyfish species, as well as a new species of dolphin. Lisa-Ann is the author of Stung!: On Jellyfish Blooms and the Future of the Ocean (published by University of Chicago Press in 2013).
Jellyfish offers detailed information as well as luscious full-colour photographs and—believe us—is very, very hard to put down once you pick it up. Lisa is an inspiring, energetic and entertaining speaker, and she has promised us you will have a great night. We certainly don’t need convincing!
Please join us in the shop for the launch, and to purchase a copy of this beautiful book—Lisa will be available for signings. She may or may not be dressed in a jellyfish costume…
Where: The Hobart Bookshop, 22 Salamanca Square
When: Wednesday June 22, from 5.30pm
Special information: Please unleash your inner sea-creature and come dressed as your favourite jellyfish—real or imagined. Or if you don’t feel like dressing up, please bring along a jellyfish from your own personal collection…
Free event, all welcome.
...and this is also coming up soon…
In July we’ll also be launching a new poetry collection by Saxby Pridmore—keep your eyes out for our next launch email.
Happy birthday to the Queen!
Don’t forget that Monday June 13 is a public holiday, but don’t panic, we’re not having a day off! (We only do that on Christmas Day.)
We’ll be open 10-5. Feel free to bring us birthday cake.
Our mailing address is:
The Hobart Bookshop
22 Salamanca Square
Hobart, Tas 7000
James C Marwood MFA MRCS LRCP General practice (VCR) & Diving medicine
03.06.16 4:56 am
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Tasmanian Writers' Centre
03.06.16 4:48 am
We believe in empowering children to share their stories.
That’s why we’re teaming up with the Commissioner for Children to support its 2016 Young Creative Writers Awards.
Writers under 18 years old are invited to enter a poem or short story inspired by the theme ‘Fairness and Respect’.
Entries up to 1000 words are now open to children across the state. They will be judged in age groups from 5-8, 9-11, 12-14, and 15-17.
To help nurture their creative talent, we’ll facilitate a series of writing workshops in the July school holidays.
Run in collaboration with the Story Island Project, these educational events will see established writers and university writing students visit 10 LINC centres.
“It’s fabulous to be able to partner with the Commissioner and LINCs to send writers around the state to connect with kids in their school holidays,” Tasmanian Writers’ Centre Director Chris Gallagher said.
“We are excited to open up the opportunity for children to be creative during the break, with the added bonus being the chance to enter the awards,” she said.
Tutors include local talent Anne Morgan, Nicole Gill, Lian Tanner, Julie Hunt, Coral Tulloch, Sally Odgers, Christina Booth, and University of Tasmania writing students.
Workshops for each of the four age groups will take place in Hobart, Glenorchy, Rosny, and Kingston LINCs, with two workshops at each centre in Queenstown, Smithton, Devonport, Ulverstone, Launceston, and Currie.
Judges include local writer and TWC Board member Danielle Wood, The Mercury editor Matt Deighton, Tasmania’s Anti-Discrimination Commissioner Robin Banks, and children’s author Angelica Banks.
Prizes include an iPad mini and a book voucher and the award ceremony will take place at Government House in November.
More than 300 children entered last year’s competition, which was based on the theme ‘Play’. We hope this year’s theme will encourage entrants to think deeply about the ways we choose to treat one another.
“Everybody has rights,” Commissioner for Children Mark Morrissey said.
“This means that everybody, including children, should respect other people’s rights too.”
A selection of stories will be published across our websites and in a book. Visit the Tasmanian Writers’ Centre library to explore the stories in last year’s Winning Entries book, in which returning judge Danielle Wood wrote:
I was impressed not only by the writing talent on display but also by the compassion, idealism and wisdom that these young writers bring to their work…I urge them all to continue to make their mark - bravely and creatively - on the world around them.
To read more about the Young Creative Writers Awards and submit an entry, visit childcomm.tas.gov.au or call 03 6166 1366.
Tasmanian Writers' Centre
01.06.16 11:31 am
Now is the winter of our Tasmanian literary scene, made glorious by the unseasonable warmth associated with climate change. Yes, we may have passed 400 parts of carbon dioxide per million in the atmosphere, but let us not be distracted from our merry japes and dances by such prosaic concerns.
In that spirit, grab a mulled wine and come join us for some of Tasmania’s many literary events this month. Van Badham runs a Guardian masterclass on How to Write an Opinion Column.
Lauren Daniels explains what the Enneagram is in her workshop Character Maps and Models: The Hero’s Journey.
Laura Kay walks you through the world of DIY publishing in the next in our Twitch Tuesdays series.
Hip-hop poet Omar Musa joins us for a discussion about his recent time in Malaysia.
And Josh Santospirito brings a dose of irreverence to the Dark Mofo season with Her Majesty’s Favourite Really Great Graphical Festival.
31.05.16 6:19 pm
I have not been hung and quartered nor have I been sent to jail
I have been so frank and honest and named so many names
I’ve been to see the ombudsmen, I’ve been to see the mayors
I’ve met with premiers and the ministers, contacted
EPA, Justice, Anti-discrimination, Ethical Departments and more.
Their blinding fog of apathy and ignorance was clear.
I was just a simple person who tried to right a wrong,
For sixteen years I’ve toiled and struggled to find the reason why
When mortality struck a small community where cancers, tumours
And auto immune diseases, very obviously, were rife
I was met with implacable denial by those who did not want to see
Protection of the government their one and only high priority
For our government pay acquiescence to the big conglomerates
Who knowingly and uncaringly spread their deadly noxious chemicals right around the globe.
Media attention brought on an investigation which proceeded in a very crooked way
Soil testing and mapping of the region were cunningly inept
The toxins in the soil and in the air of course they were not found.
Those absent ones we loved their hopes and dreams and aspirations
Their deaths and their long sufferings were sadly all in vain.
Because our corrupt and cowardly government to their everlasting shame
would not admit to their malpractice and just covered up of the tragedy
that occurred at Wentworth Park.
31.05.16 8:02 am
Credit: CeBIT Australia. Source: Flickr http://bit.ly/1r1Eqw8
Speech given to the Australian Book Industry Awards in Sydney on 19 May The government’s record drips with a contempt for writers and writing that leaves me in despair. The Liberals are a party of philistines.
It may seem at the moment that the only thing that will save the Australian book industry is moving every publisher and writer into Christopher Pyne’s electorate, and making them all wear hi-vis jackets and safety helmets.
For we have in recent weeks discovered that the Turnbull government is considering proposals for a writer to not have any rights in their work 15 to 25 years after it’s first published. So Mem Fox has no rights in Possum Magic. Stephanie Alexander has no rights in A Cook’s Companion. Elizabeth Harrower has no rights in The Watch Tower. John Coetzee has no rights in his Booker winning Life and Times of Michael K. Nor Peter Carey to The Kelly Gang, nor Tim Winton to Cloudstreet. Anyone can make money from these books except the one who wrote it.
The Abbott and now Turnbull governments’ record drips with a contempt for writers and writing that leaves me in despair. They want to thieve our past work, and, by ending parallel importation restrictions and territorial copyright, destroy any future for Australian writers.
That contempt has been made concrete in the report of the Orwellian titled Productivity Commission. The Productivity Commission doesn’t dare call books books. Instead they are called – in a flourish not unworthy of Don de Lillo – cultural externalities.
In their perverted world view, the book industry’s very success is a key argument in their need to destroy the book industry, and this determination to destroy an industry is revealed in their reports as the real aim of these proposals.
Just one highly revealing quote from the Productivity Commission:
“The expansion of the books production industries over recent decades has attracted and held productive resources, notably skilled labour and capital, that have thereby been unavailable for use in other industries. The upshot will have been reduced growth in employment and output in other parts of the economy.”
Replace the clumsy phrase “book production industries” with the word “kulak”, and you would have ideological cant worthy of Stalin.
What they are saying is that without the book industry – which is nothing more than a parasite – the economy would be doing far better. We could all be helping the economy doing real work like, well, being unpaid interns for merchant bankers.
The report’s proposals, which even before seeing them the Turnbull government agreed to endorse, effectively extinguish the Australian book industry as we know it and deliver our market to American and British publishers.
And that’s what this government thinks of everyone in this room. Be under no illusion: they want to destroy this industry. And with it, Australian literature. They want you out of a job, they want us no longer writing. Cultural externalities are, after all, external to who and what we are.
And perhaps this is all not so surprising, because the Turnbull government’s decision is not based in reality. Vassals of an outdated ideology unrelated to the real world, they can, when questioned on this issue, only mumble neo-liberal mantras that have delivered the world economic stagnation, rising inequality, and global environmental crisis. Hollow men, stuffed men, their words rats feet over broken glass. The only thing these people read are The Panama Papers to see if their own name has cropped up.
This decision to destroy the book industry by removing parallel import restrictions is consistent with the government’s relentless assaults on science and scientists. It is of a piece with its ongoing attacks on thought and debate. Who benefits from ignorance and silence other than the most powerful and the richest?
The democracy of thought and discussion that books make possible, the possibility of empathy that books are known to engender, the sense of a shared humanity and the transcendent possibilities that books give rise to, all will be diminished by this profound attack on Australian writing. And we will have returned to being what we were fifty years ago: a colony of the mind.
You have to ask if, at heart, this is not profoundly political, because the disenfranchisement of the imagination is ever the disempowerment of the individual. There is, after all, both a bitter irony and a profound connection in a government that would condemn the wretched of the earth as illiterate, while hard at work to rob its own people of their culture of words.
I had long hoped for bipartisan support for arts. I have lobbied politicians of all stripes on that basis. I wrote to then prime minister Abbott on this matter. But the last two Liberal governments have been the worst in our history in their treatment of artists and writers.
With their gutting of the Australia Council, with their theft of money for a Book Council that never happened and the money for it vanished into general revenue, they have shown that they do not care, and now, far worse, that they wish to destroy the possibility of a future Australian literature by destroying territorial copyright.
Where is prime minister Turnbull’s much vaunted innovative economy in this decision? Where exactly, prime minister, are the jobs and innovation in destroying jobs and innovation? We employ people, some 25,000 by last count. We make billions, we pay tax, we make things and we sell them here and we sell them around the world. And all at no cost to the taxpayer. And now prime minister Turnbull would destroy it all.
We are not a subsidised industry. The fossil fuel industry gets $18bn of subsidies. A single South Australian submarine worker gets $17.9m. And writers? The total direct subsidy for all Australian writers is just $2.4m. That’s it. And that’s all.
What I say next, I say with heavy heart and only after the deepest thought, because I don’t believe in any party. I speak now only for myself.
This is a government that has no respect for us and no respect for what we do. This is a government that despises books and views with hostility the civilisation they represent. Perhaps it hopes in a growing silence that it might prosper. Certainly, it cares only about one thing: power.
And only on those terms will it listen.
For that reason, if you care at all about books don’t vote Liberal at this election. If you care at all about what books mean, don’t vote Liberal. If you value how books can enrich lives, don’t vote Liberal. If you think Australian books matter to an Australian society, don’t vote Liberal.
Because this is the party of philistines who punish the creators, destroy all that has been created and create nothing but destruction. They should stand condemned for what they have done. To the minister I say, if you have a shred of dignity, resign. His shame, and prime minister Turnbull’s shame should be public, well known and long, long, long lived.
For we inside this room and the many, many more beyond it have made something special and unique that helps us become a better people, and which brings our people honour around the world.
This government, which again, and again, has brought Australia only global shame with its follies of cowardice and cruelty has no right now to destroy such a good in our nation as this: the voice of our experience, the words of our people, the tongue of our hope – our culture of writing.
In this time of fracture we need more than ever the things that can bring us together as a people, not fear, not the resentments of the many carefully cultivated to cloak the priviliege of the few, but the hope of a society that might discover in books the liberating possibility of a shared humanity. Of a better future. Together.
We need to fight for it. We must not give up – and, if we hold together, I promise you – we shall prevail.
Black Inc. and Nero
31.05.16 7:00 am
Here are the June new releases from Black Inc. and Nero.
30.05.16 4:35 am
Peter Dutton, Minister for Immigration ...
Immigration? That’s a portfolio?
I thought you said irrigation. I’d be up for that. Crops need watering. That’s an important issue. Me and my brother used to swim in Lake Mungarra as youngsters. That’s where I met the wife. The water was filthy, Mum hated us swimming there. I remember it having a neon blue tinge to it. Mike would always end up sick from swallowing too much water.
I should call him. I wonder if he’s still dancing.
Two nights ago Dutton dreamt he was Lindy Chamberlain’s baby. The thing was: from the neck down he was a fully grown dingo - stringy, taut and muscular; ready to snap at a synapse’s notice. His coat was bristly and sparse; the colour of old sandstone. He sat on his hind legs in the middle of a desert, not sure of where exactly but knowing it was somewhere in Australia.
It was dusk and only just starting to cool down; a soft breeze strengthening. Dry red dust covered his coat, and he felt a deep contentment that he could not remember ever experiencing before. Nothing but flat red earth surrounded him: there was no other flora or fauna to be seen. Dutton felt alone absolutely, with no desire to procreate.
I remember Pete going though one season in the cane fields without wearing a hat once. It was a bit odd; I don’t think the thought not to wear a hat ever even occurred to any of us. I think he figured his long dark hair would keep the sun off his head and neck. He was mainly right, though not completely, which maintains him as a complete idiot in my mind. The sun battered the thin strip of bare scalp where his hair parted slightly to the left, like Labour still vaguely did.
I reckon if you were to look at the top of his bald head today you would see a faint cluster of freckles running in a thin straight line from back to front, looking like a distant galaxy or the point at which a small dorsal fin had been surgically removed many years ago.
The moment uncoiled very slowly. But, of course it passed – when his mother Lindy materialised directly in front of him, naked and hysterical, her eyes wide, glassy and completely black.
In them Dutton saw his fish-eyed form reflected back at him.
No longer the baby Chamberlain on the body of a dingo, he saw what he wanted to see: a well-dressed man with sway and a sense of almighty purpose. Somewhere between a preacher and a PM, he did not have a speck of red dust on his navy blue suit, even though the wind had continued to build.
Black Inc, Nero
25.05.16 3:37 pm
Steve Cooke (Everyday Literacy for Local Communities Project Officer) Media Release
25.05.16 2:29 pm
Today, Tasmania’s Neighbourhood House network is celebrating the National Simultaneous Storytime. At 28 locations around Tasmania over 710 children, and their parents and carers, will be gathering to read and have fun with the staff and volunteers at Neighbourhood Houses.
Neighbourhood Houses Tasmania represents the 35 Neighbourhood Houses bringing communities together in low socio economic or isolated communities across Tasmania – from Geeveston to Zeehan, Clarendon Vale to Fingal Valley. To truly understand the great work and community change happening through our network please see our recent publication “Our Stories” on our website at this link Our Stories.
The National Simultaneous Storytime is an Australia-wide initiative of the Australian Library and Information Association (https://www.alia.org.au/nss). National Simultaneous Storytime is an annual campaign that aims to encourage more young Australians to read and enjoy books. Now in its 16th successful year, it is a colourful, vibrant, fun event that aims to promote the value of reading and literacy, using an Australian children’s book that explores age-appropriate themes.
“We know that reading to and speaking with our pre-school children are the easiest ways to ensure our children are more likely to have positive outcomes at school, and are ready for a life time of fun with books. Given all our concerns about outcomes from education in Tasmania we hope this is just the beginning of families falling in love with books and learning, and isn’t it cool that children in families in 28 communities are sharing this moment toegether!” said Steve Cook, NHT’s Everyday Literacy Project Worker.
This year’s book is I Got This Hat. It was written by Jol and Kate Temple, and illustrated by Jon Foye. It is the story of a young person who has a lot of hats from a lot of places and from a lot of different people, and sensibly decides to wear none of them to bed.
This year across 28 Neighbourhood Houses more than 710 Tasmanian pre-school children will be joining over 500,000 other children across Australia to read the same story at the the same time. Each child who participates in the events at Tasmanian Neighbourhood Houses will receive a free book thanks to our funding from Tasmanian Community Fund.
The Neighbourhood Houses involved are: Beaconsfield; JRS Inc (Bridgewater); Burnie; Clarendon Vale; Deloraine; Derwent Valley (New Norfolk), Devonport; Dorset (Scottsdale); Dowsing Point; Dunalley; Nubeena; JRS Inc (Gagebrook), Fingal; Geeveston; Georgetown; Goodwood; Maranoa Heights (Kingston); Rocherlea; Okines (Dodges Ferry); Pittwater (Midway Point); Risdon Vale; Rosebery; Ulverstone; West Moonah; West Winds (Woodbridge); Zeehan; Ravenswood; and St Helens
05.05.16 5:17 am
Please join us for the launch of Elizabeth Leane’s new book, South Pole: Nature and Culture.
The book will be launched by Steve Nicol with an introduction by the University of Tasmania’s Deputy Vice-Chancellor (Research), Professor Brigid Heywood.
As one of two points where the Earth’s axis meets its surface, the South Pole should be a precisely defined place. But as Elizabeth Leane shows in this book, conceptually it is a place of paradoxes. An invisible spot on a high, featureless ice plateau, the Pole has no obvious material value, yet it is a highly sought-after location, and reaching it on foot is one of the most extreme adventures an explorer can undertake. The Pole is, as Leane shows, a deeply imagined place, and a place of politics, where a series of national claims converge.
Leane details the important challenges that the South Pole poses to humanity, asking what it can teach us about ourselves and our relationship with our planet. She examines its allure for explorers such as Robert F. Scott and Roald Amundsen, not to mention the myriad writers and artists who have attempted to capture its strange, inhospitable blankness. She considers the Pole’s advantages for climatologists and other scientists as well as the absurdities and banalities of human interaction with this place. Ranging from the present all the way back to the ancient Greeks, she offers a fascinating—and lavishly illustrated—story about one of the strangest and most important places on Earth.
When: 5.30pm, Wednesday May 18th
Where: The Hobart Bookshop, 22 Salamanca Square
Free event, all welcome.
The Hobart Bookshop
22 Salamanca Square
Hobart Tasmania 7000
ph 03 6223 1803 | fax 03 6223 1804
Black Inc. and Nero
04.05.16 11:56 am
Here are the May new releases from Black Inc. and Nero.
Tasmanian Writers' Centre
02.05.16 6:00 pm
Jason Steger, Literary Editor, The Age
01.05.16 7:00 am
Photo: Matt Newton, http://www.matthewnewton.com.au/ . Recent Man Booker Booker Prize winner Richard Flanagan finds it “a despairing time to be an Australian writer”.
<b>The book industry industry has reacted with horror to the Productivity Commission’s interim report into intellectual property, which recommends scrapping parallel-import restrictions on books and the adoption of the US system of “fair use” of copyright material. Authors, publishers and some booksellers are aghast at how the literary ecology would be damaged if the recommendations are enacted.
The situation now is that publishers with local rights must supply books within 14 days of publication or else shops may source books overseas. Advocates argue removal of restrictions will cut prices and accelerate supply. The so-called “fair use” system allows use of some material without payment to copyright holders
Two Australian winners of the Man Booker Prize, Richard Flanagan and Tom Keneally, are both appalled by the prospects of a stripping away of territorial copyright.
“It’s an exciting time to be Malcolm Turnbull but a despairing one to be an Australian writer,” Flanagan said. Expect to see what happened in New Zealand, the only other country credulous enough to adopt such a measure – a collapse in local publishing and the writing it supports.
“Writers receive a total of $2.1 million in federal grants. That’s all. Where’s the innovative economy in destroying your greatest cultural success story that costs the taxpayer a third of a Peter Dutton propaganda movie to deter refugees?”
Adam Ousten, Fullers Bookshop
27.04.16 6:08 pm
Unnecessary Wars by Henry Reynolds book launch at Fullers Bookshop, 5:30pm Friday April 29
‘Australian governments find it easy to go to war. Their leaders seem to be able to withdraw with a calm conscience, answerable neither to God nor humanity.’
This is Henry Reynolds at his searing best. In stark detail, he shows how the Boer War left a dark and dangerous legacy, demonstrating how beliefs in an identity crafted around loyalty to Britain have propelled us into too many unnecessary wars – without ever counting the cost.
“The importance of Reynolds’ history is the fact that it seeks to rewrite our very foundations as a nation.”
A pioneering historian, Henry Reynolds is considered one of the nation’s leading authorities on the history of Australia’s Indigenous people. Henry’s seminal book, The Other Side of the Frontier, published in 1981, was the first to see history from an Aboriginal perspective. An outspoken public intellectual, Henry was the first academic historian to champion Aboriginal land rights. Fighting for reconciliation at a time when it was not popular, Henry was not deterred by the backlash and his courage, tenacity and commitment inspired a generation of Aboriginal and white Australian activists to persevere in their campaign for Aboriginal land and other rights. Henry’s oral history project in the 1970s connected him with Eddie Mabo and greatly contributed to the High Court’s recognition of land rights. Henry’s 20-plus books have not only won a string of awards, they have encouraged young historians to embrace Aboriginal history, have enriched the nation’s understanding of our past and have pointed the way to a better future.
Henry will be in conversation with Matt Killingsworth, University of Tasmania Head of Discipline in Politics and International Relations, at Fullers Bookshop. 5.30pm Friday April 29
(03) 6234 3800
Adam Ousten, Fullers Bookshop
27.04.16 2:54 pm
New book unravels the complex science behind nutrition and brain health, helping us reduce our chance of cognitive decline and dementia.
Following the barnstorming Eat to Cheat Ageing, dietician Ngaire Hobbins returns with a new book that explains and examines the link between nutrition and brain health, presenting it in her trademark engaging and easy-reading style.
Eat to Cheat Dementia reveals the power of eating to maximise vitality, independence and quality of life for anyone living with a diagnosis of dementia, providing sensible, practical eating solutions for every reader.
“This book is important for every older person, but also for each and every one of us as we relentlessly progress toward old age. We are what we eat.”
– Dr Jane Tolman Clinical Associate Professor Wicking Dementia Research and Education Centre
“I commonly see frail elderly people with multiple co-morbidities including dementia, Parkinson’s disease, stroke, heart disease, gait and balance disorders who have associated severe malnutrition. Ngaire’s book is a very practical approach [with] easy steps to eliminate those risks and improve nutrition and health.”
– Peter Lipski Consultant Physician in Geriatric Medicine Director of Geriatric Medicine – Brisbane Waters Private Hospital Conjoint Associate Professor Newcastle University
Ngaire Hobbins is a clinical practitioner and dietician driven by a passion to promote independence and health in older people by averting physical and mental decline that is all too common because of inappropriate food choices. She is an advocate for promoting the joy of eating and the essential place food plays in the health of all older people, whether living independently, being assisted in the community or residing in residential care. Ngaire lives in Australia and is a clinical practitioner, aging wellness consultant, author and lecturer in dementia studies, University of Tasmania, an aged care consultant and seniors’ advocate.
Ngaire will launch this fascinating and important new book at Fullers Bookshop. 5.30pm Thursday April 28
(03) 6234 3800
27.04.16 7:19 am
It’s been 100 years since Gallipoli
Where our young folk sacrificed their lives fighting Tyranny over the sea
For our right to live Sovereign and Free…
And yet children diagnosed with cancer have no rights
And parents watch in helpless horror or be criminalised
As our youngsters lives are sacrificed to barbaric WW2 chemical Tyranny, here on our shores.
State Approved False Laws, and “Trade A-Greed,”
AMA Approved Death by Oncology Gestapo Creed.
Threatened Parents Silently Plead! God Help Me!
Think of the death of our soldiers and our children too,
We tell their stories so the future knows better what to do.
Remember the Anzac lives lost and the Constitutional Freedom
They fought to uphold. And Why are parents of TODAY told?
They must adhere to a deadly toxic WWII medical protocol!?
Follow the money trail…
Under the guise of progress and
applying the Law of Graduation…
Four generations hence.
The Psychopathic Machine is in place.
Cigarette Science and sucrose coated lies with multi-national dollars invested;
Contaminated soil, food, water, medicine and marketing the choices you’re permitted…
A silent scourge, and toxic harvest.
The health of our soil, our water, our bodies now at the Limit.
So many Anzac lives lost indeed, but
Our inheritance appears to be a system of Economics of Greed
Where our constitutional rights, can be omitted.
Where no Sovereign right to choose HARM FREE MEDICINE can be allowed to succeed, not
Over Multi-National Codex and the Trade/A-Greed….
So much for Constitutional Creed!?
Whether it be in Trenches of Gallipoli or Hospital Corridors ,
too many lives are still lost in the quest for Sovereignty of Choice and
Truth in Medicine Right NOW.!
With Love to My lost boy Dylan,
who endured Cancer diagnosis twice, “go the Anzac Spirit!”
And Oshin, our hope,
that he and others may have the right to Live!!!
By Fiona, Upset Citizen, Mother of Dylan,
Deceased at 8 years old.
Children fight for their lives in the modern trenches with no defence and no rights.
Want to know Pressure! Try Saying No to Forced Medical Treatment…knowing Harm and Death is your alternative potential. Terriffic//http Vomit.
Bring in the Clown Doctors…
Jason Steger, Literary Editor, The Age
25.04.16 1:13 pm
The Boisbouvier Founding Chair in Australian Literature at the University of Melbourne – that’s Man Booker winner Richard Flanagan to you and me – is making his first public appearance in his new capacity as a professor on April 28 when he will be interviewing Paul Kelly about books, writing and the way writing influences his music.
Along the way, Kelly will talk about Seven Sonnets & A Song, his album that marks the 400th anniversary of Shakespeare’s death (today, Saturday, April 23).
Kelly will also perform a track or two from the new album.
Flanagan says Kelly is one of the best readers he knows. “He thinks deeply about it,” he said, “and this is a different way of talking about Australian literature and the largeness of it.”
There’s no danger of Flanagan singing, though, but he might clap along (with one hand).